Conservation group Sea Shepherd and Pennywise front man Zoli Teglas, will hold a protest outside of Santa Monica's The Hump restaurant on Friday, March 12 during the lunchtime rush to educate patrons in that endangered whale species are being consumed at the restaurant.
Sea Shepherd, the subject of Animal Planet's hit show, "Whale Wars", inspired the team behind Oscar-winning documentary film, THE COVE, to orchestrate what the New York Times describes as “a covert operation to ferret out what the authorities say is illegal whale meat at one of this town’s most highly regarded sushi destinations.”
When the story broke Monday (http://www.nytimes.com/2010/03/09/us/09sushi.html ) and they heard that operators of The Hump could at most be fined $20,000 and serve one year in prison for violating the Marine Mammal Protection Act, conservationists sprang into action, obtaining police approval and organizing a peaceful protest during the lunchtime rush on Friday to encourage Los Angeles area sushi lovers to help put an end to restaurants in the US and Japan selling endangered whale species as delicacies.
The peaceful protest will take place on Friday, March 12, from 11:30 a.m. to 2 p.m. at The Hump Restaurant at The Santa Monica Airport - 3221 Donald Douglas Loop South - Santa Monica, CA 90405.
www.seashepherd.org
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New Jersey based Rock & Pop Festival THE BAMBOOZLE will hit the road for their 3rd nationwide tour this Summer kicking off May 21 in Columbia, MD. The tour features headliners Boys Like Girls, All Time Low, Third Eye Blind, and LMFAO, along with a stacked billed of support and is set to hit 26 major U.S.cities.
THE BAMBOOZLE ROADSHOW 2010 will be an ALL-DAY Event with 2 stages of talent, a main stage with rotating artists ALL TIME LOW, BOYS LIKE GIRLS, LMFAO, THIRD EYE BLIND, GOOD CHARLOTTE, HANSON, FOREVER THE SICKEST KIDS, HELLOGOODBYE, and CARTEL, and a Second Stage showcasing the talents of many up & comers. More artists to be announced soon! (All festival dates may not feature all artists, check your local listings.)
Pre-salewill begin at 10 a.m. local time on Tuesday, March 2, and run though 10 p.m. on Friday March 5, with Public on-sale beginning Saturday March 6 @ 10 a.m. Local Time. Pre-sale tickets are available here: http://www.thebamboozleroadshow.com.
Maryland’s All Time Low is currentlyfinishing up a sold out Australian tour. The band’s two latest Hopeless Records releases, Nothing Personaland MTV Unpluggedhave been comfortably perched on Billboard’s top indie charts since their release. Their original song “Painting Flowers” also appears on Almost Alice, the soundtrack to the upcoming Tim Burton film, Alice In Wonderland.
www.alltimelow.com
THE BAMBOOZLE ROADSHOW Routing:
May 21 – Columbia, MD– Merriweather Post Pavilion
May 22 – Charlotte, NC– Uptown Amphitheatre @ The Music Factory
May 23 – Atlanta, GA– Six Flags Over Georgia
May 25 – West Palm Beach, FL – Cruzan Amphitheatre
May 26 – Tampa, FL– Ford Amphitheatre
May 28 – Houston, TX – Verizon Wireless Theatre (No 2ndStage)
May 29 – San Antonio, TX– Six Flags Fiesta Texas
May 30 – Arlington, TX– Six Flags Over Texas
June 2 – Phoenix, AZ– Cricket Amphitheatre
June 5 – Concord, CA- Sleep Train Pavilion at Concord
June 6 – Chula Vista, CA– Cricket Wireless Amphitheatre – Parking Lot
June 10 – Minneapolis, MN- CaboozePlaza
June 11 – Milwaukee, WI- Eagles Ballroom
June 12 – Chicago, IL- Soldier Field - Parking Lot
June 13 – Eureka, MO – Six Flags St.Louis
June 15 – Clarkston, MI– DTE Energy Music Theatre
June 18 – Cleveland, OH – Time Warner Cable Amphitheatre @ Tower City
June 19 – Cincinnati, OH - PNC Pavilion @ RiverbendMusicCenter
June 20 – Philadelphia, PA – Festival Pier @ Penn’s Landing
June 23 – Pittsburgh, PA– Amphitheatre @ Station Square
June 24 – Jackson, NJ– Six Flags Great Adventure
June 25 – Hershey, PA– HersheyParkPavilion & Stadium
June 26 – Nassau, NY– NassauColiseum - Parking Lot
June 27 – Boston, MA- ComcastCenter
(All dates may not feature all artists, please check local listings)
More dates will be added, so stay tuned!!
Check out the tour site:
On Friday night at the Troubadour, not half a block from the Beverly Hills city limits, three hip-hop artists; P.O.S., Dessa, and Grieves; put on a veritable hip-hop clinic that showed the mainstream that the real spectacle is not under the big top, but in the sideshows during their L.A. stop on the "Every Never is Now" Tour.
Coming to see these three rappers is unlike any other hip-hop experience. You won't find talk of hoes, dubs, or M.O.E.T. None of them will tell you about how gangsta they are, how much their rides cost, or how they might do a snitch. This is music that goes further and deeper than that; music that draws from life experiences and beckons an echo from those with whom it rings true. If your music is the theme music to your life then these people are truly the story tellers that can put life to a beat. You will hear tragedy, challenging situations, and not settling in life. There will be socially conscious songs, political statements of an intellectual nature, and a mastery of rhyme and conceptual lyrical imagery like wet paint on a canvas, dripping with color.
P.O.S., Dessa, and Grieves are the micro brews of the music industry; those that hand-craft beats with everything from violin cuts to trumpet solos while carefully constructing jaw-dropping lyrics from a vocabulary that would make for a formidable "Scrabble" opponent. Artists, in the truest sense of the word, are those that make music they love, and don’t really care if others do. They give no thought to the mass appeal because they are making it not for the masses, but a select few that may have a thirst for their witch’s brew.

Dessa opened the show under deep blue light with a voice like velvet wisps of cigarette smoke drifting in an a windowless room singing "Kites." Her music makes me think of a poet with a musical obsession more than a rapper. Her lyrics are wry and clever, always interspersed with a melodious voice that riffs tongue and cheek as much as it throws a mean right hook. She is the result of a philosophy degree and too much whiskey, I saw this written one time, and you are truly aware of this when you hear her music; clearly a rapper with late fees on her library card. With an acute awareness of the human condition, what sets her apart is her slam poetry breakdowns she does. When you hear "Hallelujah" performed at a hip-hop show with acapella verses and an unique and absorbingly sung chorus, you know you are in for an amazing show. She threw down the gauntlet with a sui generis set unlike any hip-hop you will find out there; honestly, how many rappers do you know with a published book of poetry for sale at the show?
Grieves came next with Budo, his DJ, and this kid is something to see. Looking no older than 16 and weighing maybe 120 lbs. soaking wet, this man of diminutive stature casts a rap shadow that has grown in leaps and bounds from his days in his hometown of Seattle, WA. Grieves is oh so musically inclined with the beats he makes. Just like Dessa and P.O.S., there is more than just drums and reverb in his tracks. You will find trumpets, piano, and guitar riffs, performed live by the multi-tasking Budo, that scream Eddie Van Halen influences. Grieves' lyrics are funny at times with admissions of his odd look and his lack of knowledge as to the definition of "hyfie." He also speaks of troubles with women, human interaction, and tough times. Admittedly a family guy, he really loves his friends and family, and raps about life and loss while not getting depressing, it always seems to be up-tempo enough to not bring the listener down. The crowd loved his set and despite not striking a large frame, he loves being behind the mic and it shows in the comfort and ownership he shows when he performs.

P.O.S. came next, the headliner of the night. P.O.S. is something to be heard. An amazing fusion of pseudo-punk rock and socially conscious, lyrical hip-hop, his music matches his stage performance; it's a hip-hop bar-fight with your brain from start to finish. In three albums and many years with Doomtree before signing with Rhymesayers, P.O.S. has cultivated a powerful and focused voice inspiring people as much as attempting to unsettle our complacency. He doesn't call himself a political rapper, but it is definitely a definable portion of his work. A not so subtle call to the disenchanted and disenfranchised permeates his lyrics between personally significant events and intimate messages of the heart. Beats dripping with rock guitar, drums, and a cacophony of other perfectly appropriate sounds make him feel at home on the edge of the stage screaming at the top of his lungs lyrics that the crowd reciprocates just as ferociously. He will cover everything from challenges with following your dream and being happy in your life, to social issues we all face privately in a slow-motion agony. P.O.S. is truly aware of his surroundings and what he feels, using the stage and the mic as an outlet to entertain and educate as much as provoke and disrupt.

His stage show almost ruins his albums for me for a week or so after. There is no justice coming out of my speakers for the energy he has when he is on a stage. One of the most accessible artists I've ever met, he’ll be out chatting and taking photos with fans before the doors even open. He walks among the fans at ease while Dessa and Grieves perform. Same with Grieves and Dessa; stand at the bar long enough and you might find Dessa sidling up next to you after her set to order a drink, Grieves you will find without fail at his merch table unless he is on stage, and is more than happy to talk with you. P.O.S. is just that kind of guy, he likes to chat and shoot the breeze with his fans, and admittedly likes touring with artists that are the same way.
I've been to a lot of concerts, big and small, and I have never been to a show like a P.O.S. show. Without fail he will get down in to the crowd. At the Warped Tour he spent more time at eye level with his fans than on the stage. Besides just the fact that he brings it every time out, I don’t find a mosh pit at many hip-hop shows, but P.O.S. requested it for "Terrorish" so that he could mosh with his fans. As with every show he goes elbow to elbow on the floor rapping with, and not just for, his fans. Even on his more difficult songs, the man could just sit back and listen to the words he wrote screamed back to him from 150+ in a seething mass of fandom. He recognizes that he has die hard fans and gets down with them when ever possible because he honestly loves his work, and is humble in his opportunity to do it.
Amazing beats and intellectual lyricism the likes of Dessa, Grieves, and P.O.S. make for maybe a tough pill to swallow for those without the taste for it. P.O.S. is fully aware that there might not be room in the 'mainstream' music scene for him but is hopeful. Today, the music seems to be more about style over substance. Artists today have everything from their own vodkas to clothing lines. It is all about cultivating a brand and becoming more than just a musician, which is all P.O.S. wants to be right now. In his words, it's not that mainstream music is dumb, but it is easy, and he recognizes that his music is not easy or just a catchy beat for the money maker shakers out there. It is not something that he thinks about really, but he won't ever 'make it rain', 'drop it like it’s hot', or 'ride dirty'; this is not the kind of music he likes, and he makes music he likes, it's just dumb luck that other people like it,too.
"If there's a place in mainstream for Lady Gaga looking crazy, there's a place for me looking normal sounding crazy. I just think about making songs I appreciate, and hopefully other people will too." -P.O.S.
Check out the interview/slideshow conducted by Wesley Bauman:
Wesley is a writer/photojournalist originally from Oregon who makes his home in Ventura, CA. He is currently a contributing photographer for the VCReporter and maintains an active blog (http://www.wesleybauman.wordpress.com/) where he writes on political and social satire regularly.Before their Eyes will accompany Blessthefall and Miss May I on the just-announced, The Bangover Tour, starting March 26th in Edmonton, Alberta. The trek will hit both Canada and the US and will give fans a chance to hear tunes off the band’s forthcoming Rise Records release Untouchable, in stores March 9th.
The band will also be supporting Saosin and Maylene and the Sons of Disaster on the Coaxal Flutter 2010 Tour starting February 23rd in Indianapolis, IN.
Tour Dates:
COAXAL FLUTTER TOUR
w/ Saosin, Maylene & The Sons Of Disaster
02.23 - Indianaplois, IN @ Emerson Theatre
02.24 - Sauget, IL @ Pop's
02.25 - Covington, KY @ Mad Hatter
02.27 - Detroit, MI @ The Shelter
02.28 - Cleveland, OH @ Grog Shop
03.02 - Syracuse, NY @ Lost Horizon
03.03 - Allston, MA @ Harpers Ferry
03.04 - Poughkeepsie, NY @ The Chance
03.05 - Providence, RI @ Jerry's Live Music Hall
03.06 - Baltimore, MD @ Ottobar
SPOT DATES
03.12 - Plainwell, MI @ Plainwell Community Center
03.13 - Westland, MI @ Skateland West
03.23 - Elgin, IL @ Mad Maggies
03.24 - Madison, WI @ The Stage Door
BANGOVER TOUR
w/ Blessthefall, Miss May I, Greeley Estates
03.26 - Edmonton, Alberta @ The Avenue
03.27 - Regina, Saskatchewan @ The Exchange
03.29 - Winnipeg, Manitoba @ WECC
03.30 - Thunder Bay, Ontario @ The Roxy
04.01 - Toronto, Ontario @ Mod Club
04.02 - Ottawa, Ontario @ Mavericks
04.03 - Montreal, Quebec @ Underworld
04.05 - Syracuse, NY @ Lost Horizon
04.06 - Dayton, OH @ The Attic
04.07 - Louisville, KY @ Uncle Pleasants
04.08 - Memphis, TN @ New Daisy Theater
04.09 - Little Rock, AR @ The Village
04.10 - Metaire, LA @ High Ground
04.11 - Houston, TX @ Meridian
04.12 - San Antonio, TX @ White Rabbit
04.14 - Las Vegas, NV @ Area 702 Skatepark
www.myspace.com/beforetheireyes
www.riserecords.com

